Xu and his gallop ink map

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Xu and his gallop ink map
Ma, Mr. Xu Beihong life is portrayed in a favorite subject. He painted the gallop, ink dripping cool, wind and thunder of the surf with the times in the art world. He painted the horse gallop no matter immediately, personnel, Yin Ma, Gunma, are given plenty of vitality ...


Mr. Xu Beihong (1895 a 1953), China's outstanding modern artists and art educators. He loves the arts, love of the motherland, to the life of the people left behind thousands of pieces of outstanding works and to cultivate and foster a large number of people, is worthy of a Chinese master of fine arts in the history of a generation.

Xu Beihong painting in the creation, promotion of "doing fine, caused by the overwhelming majority"; his Chinese painting called "the best ways to observe it, followed by those who never down, to the poor, who Zeng's not enough, Western painting can be Those who take the financial. " His paintings can into a furnace at all times and techniques and has its unique style. He not only good at Chinese paintings, drawings, oil paintings are highly literate and achievements. People pay attention to realism to convey the spirit; painted flowers and birds, landscapes, animals, concise and crisp, full of life, especially in the famous horse painting.

Ma, Mr. Xu Beihong life is portrayed in a favorite subject. He painted the gallop, ink dripping cool, wind and thunder of the surf with the times in the art world, the Chinese art world at that time to bring a fresh, powerful and vigorous atmosphere. Schiff is now home - Yixing City, Jiangsu's new "Yixing Xu Beihong Memorial Hall", the display of Mr. Xu Beihong in different historical periods of calligraphy and paintings (including young people during the exercise, after famous works, such as bar-Letter). He painted the horse gallop no matter immediately, personnel, Yin Ma, Gunma, are given plenty of vitality.
 

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نمونه های دیگری از نقاشی چینی
 

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دوست عزیز منظور نقاشی سنتی چینی هست که با جوهر کشیده میشه!
عکس دومی انیمیشن است.
 
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